



I've been holding off writing about our visit to Nara, Japan's first capital, hoping for inspiration that would do justice to historical and artistic treasures we were lucky to see there. I keep saying that this or that experience of our visit to Japan is the highlight, but in terms of art, this one tops it for me. Nara is a small city by Japanese standards, with a mere 300,000 plus residents, but it is monumental in terms of its imporance in the artistic history of Japan. Part of the reason is its location at the end of the Silk Road that brought new ideas, art and artifacts from China, Persia and elsewhere.
Before arriving in Nara itself, we decided to get off at a small town about an hour south called Horyuji, renowned for its huge temple complex. Time was short because we had planned to meet an English-speaking guide in Nara at 1pm, so we rushed to see not Horyuji temple but its sister temple next door, Chuguji, the oldest nunnery in Japan founded by the consort of an early emperor. There we saw the image I posted in my earlier blog and include here as well. It is Nyoirin Kannon Bosatsu, an enlightened being who, according to the brochure, is "thinking calmly about how human beings can be saved from suffering." Her smiling lips are an example of the "archaic smile" shared with other treasures of art history as the Giaconda and the Sphynx. It was wonderful to be able to enjoy this beautiful image in the quiet of this small temple while the crowds milled around the more famous neighboring temple of Horyuji.
At first sight, many Japanese cities seem drab as you emerge from the railroad station into the busy streets. But the deeper you get into Nara, the more it seems to surround and absorb you. The main attractions are mostly concentrated near a huge park where small deer roam freely all around you. In Buddhist tradition, the deer is a divine being and so the park is teeming with them and they can become quite aggressive looking for scraps of food and emit an unearthly howl during the fall mating season.
Nara has a mountain backdrop and is teeming with important historical sites, boasting no less than eight World Heritage sites, including a primeval forest and palaces and temples we unfortunately did not have time to visit. Residents of Nara like to refer to their city as "the perfume of a flower in bloom," evoking a sense of timelessness and impermanence. And time was our friend during our visit in many ways. We actually had planned to go to Nara the previous week but we delayed our visit to acommodate other trips. The main attraction for most tourists is the Todai-ji temple, which houses Japan's largest bronze buddha (16 meters high) in the world's largest wooden building. One day a year a large window at the top of the building is opened to reveal the face of the buddha. We trotted there on our first afternoon accompanied by our guide Kieko Harimoto, a housewife who had lived with her husband in Singapore and the UK. Her English was perfect as was her knowledge of the history and art we were about to see.
Seeing the Todai-ji was just the tip of the Buddha so to speak on this warm and sunny aftgernoon. As luck would have it, we had arrived in Nara the day before the opening of the annual Shosu-in exhibition of the Emperor's treasures which are displayed for only 3 weeks each year. Our overnight stay also coincided with the first display in the round in 110 years of the Ashura treasures of the Kohfukuji temple. The unforgettable statues in the latter exhibition include several by the renowned 13th century sculpture Unkei. The centerpiece of the exhibition, however, is the spectacular three-faced, 6-armed bodhisattva, surrounded by figures of monks and guardians that date back to the height of the Nara period in the 7th century.
We were not allowed to photograph the Ashura treasures but here is a link that shows some of the amazing works we saw that day: http://www.kohfukuji.com/property/photo/index.html My favorite were the figure in the first three rows (most Japanese have never seen the side faces because the display in the Nara Museum only showed the statue from the front. The face on the left is biting its lower lip but no one I spoke with could explain its significance). I also was spellbound by the life-sized statues of the two brothers in rows 11 and 12 by Unkei. Keiko's in-depth knowledge about the exhibition and the art of the 7th through the 13th centuries on display was like having our very own art historian as guide.
The next day we stood in line to view the imperial treasures. You needed binoculars to make out the details in some of the prized objects, which included intricate marquetry on the backs of mirrors and tiny pen knives with decorated scabbards. But the crowds soon overwhelmed us and the works in the Shoso-in show, while striking, simply could not compare with the impact we felt from the previous day's Ashura treasures. So we headed away from the crowds to enjoy the natural beauty of Nara by touring Insuien, a small Meiji era (1868-1912 or so) garden. Our guide that day was Yoko, a retired high school English teacher who narrated our walk with wonderful details about the three happy trees found in many Japanese gardens (the pine for longevity, the winter-blooming plum for courage, and the heaven-seeking bamboo for purity) and the three man-made objects (lantern, bridge and pond). The entire garden, front and back, was created in the shape of the Chinese character mizu, which means water (looks something like this: >I<). As we walked the back garden, we came across a summer house fronting a pond, with a backdrop of fall-colors in the trees, with the great south gate of the Todaiji (great buddha) temple peeking through. Three mountains in the background seemed to complete the garden. Yoko told us that this was an example of the Japanese concept of "borrowed scenery" in which the surrounding scenery is incorporated in the design to add depth to the garden. Our stroll was accompanied by the sounds of running water, the grinding of the gravel under our feet, and the chirping of the birds in the trees. A very peaceful end to well-timed visit to Nara.























